How did the position and status of the artist evolve between 1300 and 1600? In answering that question, consider the following: What possibilities were open to artists at the beginning of the period, and how did that change by the end? Did the guild system promote or subdue the aspirations of artists? What sorts of fame or rewards could an artist expect? What were the distinctions between manual artists and “fine” artists? Who conferred status upon an artist? What sorts of debates centered on the making of art?
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